I guess those first months felt so good because I felt the absence of the pressures of the internet. My freedom felt tangible. But when I stopped seeing my life in the context of “I don’t use the internet,” the offline existence became mundane, and the worst sides of myself began to emerge.
I would stay at home for days at a time. My phone would die, and nobody could get ahold of me. At some point my parents would get fed up with wondering if I was alive, and send my sister over to my apartment to check on me. On the internet it was easy to assure people I was alive and sane, easy to collaborate with my coworkers, easy to be a relevant part of society.
So much ink has been spilled deriding the false concept of a “Facebook friend,” but I can tell you that a “Facebook friend” is better than nothing.
My best long-distance friend, one I’d talked to weekly on the phone for years, moved to China this year and I haven’t spoken to him since. My best New York friend simply faded into his work, as I failed to keep up my end of our social plans.
I fell out of sync with the flow of life.
There’s a lot of “reality” in the virtual, and a lot of “virtual” in our reality.
My plan was to leave the internet and therefore find the “real” Paul and get in touch with the “real” world, but the real Paul and the real world are already inextricably linked to the internet. Not to say that my life wasn’t different without the internet, just that it wasn’t real life.
I’d read enough blog posts and magazine articles and books about how the internet makes us lonely, or stupid, or lonely and stupid, that I’d begun to believe them. I wanted to figure out what the internet was “doing to me,” so I could fight back. But the internet isn’t an individual pursuit, it’s something we do with each other. The internet is where people are.
‘I’m still here: back online after a year without the internet’
Very interesting article by Paul Miller about logging off from the Internet for one year trying to reconnect to his ‘real self’ and finally realizing that reality and virtuality are already too closely linked to each other.
True!
“Most of us can’t aspire to be bridge figures—we’re simply not rooted in multiple cultures. But we can aspire to be xenophiles. It’s my argument that we must. The world we live in is so complicated and interconnected that solving many problems requires openness, understanding, and the ability to communicate with people from different cultures…
Bridge figures face the challenge of finding people who are willing to listen and try to understand the variety of global and cultural dialogs. Xenophiles face the challenge of locating and listening to these different voices without being overwhelmed by the roar of the Internet. For those of us who believe that we benefit commercially, creatively, charitably, or politically from encountering a wider world, the challenge is figuring out how to make the Internet more powerful for xenophiles and bridge figures alike.”
If grandmothers around the world had a rallying cry, it would probably sound something like “You need to eat!”
Photographer Gabriele Galimberti’s grandmother said something similar to him before one of his many globetrotting work trips. To ensure he had at least one good meal, she prepared for him a dish of ravioli before he departed on one of his adventures.
“In that occasion I said to my grandma ‘You know, Grandma, there are many other grandmas around the world and most of them are really good cooks,” Galimberti wrote via email. “I’m going to meet them and ask them to cook for me so I can show you that you don’t have to be worried for me and the food that I will eat!’ This is the way my project was born!”
The project, “Delicatessen With Love”, took Galimberti to 58 countries where he photographed grandmothers with both the ingredients and finished signature dishes.
He acted as photographer and stylist during each shoot with the grandmothers, taking a portrait of both the women and the food they made for him.
From top to bottom:
Inara Runtule, 68, Kekava, Latvia. Silke (herring with potatoes and cottage cheese).
Grace Estibero, 82, Mumbai, India. Chicken vindaloo.Susann Soresen, 81, Homer, Alaska. Moose steak.
Serette Charles, 63, Saint-Jean du Sud, Haiti. Lambi in creole sauce.
The photographer’s grandmother Marisa Batini, 80, Castiglion Fiorentino, Italy. Swiss chard and ricotta Ravioli with meat sauce.
Normita Sambu Arap, 65, Oltepessi (Masaai Mara), Kenya. Mboga and orgali (white corn polenta with vegetables and goat).
Julia Enaigua, 71, La Paz, Bolivia. Queso Humacha (vegetables and fresh cheese soup).
Fifi Makhmer, 62, Cairo, Egypt. Kuoshry (pasta, rice and legumes pie).
Isolina Perez De Vargas, 83, Mendoza, Argentina. Asado criollo (mixed meats barbecue).
Bisrat Melake, 60, Addis Ababa, Ethiopia. Enjera with curry and vegetables.
Yummy new coffee at Sourced & Sold in the heart of the Jordaan. Give it a try!
FREUNDE VON FREUNDEN: Finally. One of my favourite (inspiring!) magazines/websites launched a convenient iPad App!
❤ Spring #Rotterdam #Netherlands #finally
You see, we’ve come to define “social” in unintentional Orwellian double-speak. “Social” has come to mean the exact opposite of what it’s meant for centuries. Instead of actual interaction and communication, we define “social” as once- or twice-removed ego validation through button-clicking.
“Social” is what happens when someone posts personal information—photos, thoughts, announcements, favorite songs, jokes—on the internet and another person comes along and clicks a thumbs up icon or a star or a heart. If someone’s really “social,” they’ll even type a comment or reply.
Kids aren’t leaving social networks. They’re redefining the word “social.” Rather, they’re actually using the word with the intent of its original meaning: making contact with other human beings. Communicating. Back-and-forth, fairly immediate dialogue. Most of it digitally. But most of it with the intent of a conversation where two (or more) people are exchanging information and emotion. Not posting it. Exchanging it.
Teens aren’t abandoning “social.” They’re just using the word correctly.
//
A great post by Cliff Watson, found via @janchip
(via wearethedigitalkids)You Are My Wild is a talented group of 14 photographers who publish a weekly portrait series of how they see their kids.
You Are My Wild - Portrait Series Documenting Childhood
Photos by Meaghan Curry, Bina Brakken, Dera Frances White, Rebecca Zeller, Anje Marie
The very premise of social media is, at the end of the day, to promote the self, to eke out a niche, and to somehow get ahead. Facebook and Twitter users ‘collect’ friends and followers much as one collects stamps or some other object or commodity. The purpose of a status update is to draw attention to the self. Never before have we been so conscious of our appearances either: the ‘selfie’ is A Thing. We carry cameras, usually by way of smartphones, on our person at all times. Every social occasion generates a flock of photographs later that users can either tag or beg their friends to remove. Communicating means sending an SMS or tweet or writing on a digital wall. We develop relationships online; we break up via text.
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